New Rollei Website I'm really excited to share a collaboration I’ve been working on with Rollei. This weekend Rollei launched their new website where you’ll find my work ‘Bloody Chunks’ - The Vietnamese Underground Metal Scene. This body of work was photographed between 2012-14 when I lived in Saigon, Vietnam. Shot using Rollei’s ORTHO 25 Plus medium format film. It's extra special to me as I have been using this film and its earlier incarnation for over 20 years. In the late 90’s I shared a photography studio in Mount Pleasant (Clerkenwell) London with Spiros Politis. 100 metres from our studio was Process Supplies, one of Great Britain’s oldest photographic suppliers established in 1928, still run by the Willes...
We knew Nick from the local alternative music scene. Nick was still young but got himself a caravan and set up with a community of New Age Travellers on the outskirts of Fleet in the surrounding countryside.
Berkshire College of Art campus was on the back lot of Reading Tech College. My sister's old mini was long gone, I was now driving a red Renault 5. It was a 30 minute ride to Reading. I was made up, I had my own wheels and I was studying photography. The BTEC National Diploma in Photography was a practical course. Over the next two years I learned how to work in the photography studio - how to use studio lighting, medium and large format 5x4 cameras. Initially we (photography students) would photograph each other. Contact sheet of student Steve by myself & myself by Warren King 5x4 contact sheet of student Deryck & fibre based print of student Toby ...
I didn’t have much kit - just a camera, film and lots of curiosity about the world around me. I was always asking my friends if It was ok to make a portrait, or if I could bring my camera along to a gig. Me and my friends were fresh out of school, we were going to 6th form college, we felt all grown up. We had survived school and were now discovering these newfound freedoms and meeting like minded souls.
I photographed the way the light was landing on objects and surfaces around the house. Then I started photographing my family in quiet moments of contemplation, thought and bonding. This gave me a focus, a creative outlet, a distraction?
